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Egyptian art Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Código: BM08315
Artista: Egyptian art
Título: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

Egyptian art Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Código: BM08315
Artista: Egyptian art
Título: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Género: Fresco
Periodo/Estilo: New Kingdom (XVIII-XXV dinasty)
Ubicación: British Museum
Género: Fresco
Periodo/Estilo: New Kingdom (XVIII-XXV dinasty)
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** The Rosetta Stone
Código: BM00251
Artista: ********
Título: The Rosetta Stone
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** The Rosetta Stone
Código: BM00251
Artista: ********
Título: The Rosetta Stone
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Código: BM00176
Artista: ********
Título: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Código: BM00176
Artista: ********
Título: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Código: BM00174
Artista: ********
Título: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Código: BM00174
Artista: ********
Título: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Código: BM00175
Artista: ********
Título: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Código: BM00175
Artista: ********
Título: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
Egyptian art A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Código: BM08314
Artista: Egyptian art
Título: A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

Egyptian art A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Código: BM08314
Artista: Egyptian art
Título: A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Género: Painting
Periodo/Estilo: New Kingdom (XVIII-XXV dinasty)
Ubicación: British Museum
Género: Painting
Periodo/Estilo: New Kingdom (XVIII-XXV dinasty)
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** Bronze helmet
Código: BM03445
Artista: ********
Título: Bronze helmet
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** Bronze helmet
Código: BM03445
Artista: ********
Título: Bronze helmet
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Código: BM07383
Artista: ********
Título: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Código: BM07383
Artista: ********
Título: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Código: BM02275
Artista: ********
Título: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Código: BM02275
Artista: ********
Título: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Código: BM09811
Artista: ********
Título: Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Código: BM09811
Artista: ********
Título: Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** Bronze figure of a running girl
Código: BM03594
Artista: ********
Título: Bronze figure of a running girl
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** Bronze figure of a running girl
Código: BM03594
Artista: ********
Título: Bronze figure of a running girl
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum
Género: Not available
Periodo/Estilo: Not available
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Código: BM02327
Artista: ********
Título: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Ubicación: British Museum - London
Créditos: The Trustees of the British Museum c/o Scala, Florence
Derechos y restricciones

******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Código: BM02327
Artista: ********
Título: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum
Género: Minor arts
Periodo/Estilo: Sumero-Akkadian
Ubicación: British Museum

Imagen disponible en Italia, España y Portugal
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